Santa Maria Novella Florence is one of the most important churches in the city, located right next to the central train station of the same name.
Whether you’re visiting Florence for a day or much longer, I highly recommend you not miss out on visiting this monumental complex.
It's one of the most beautiful places you will ever see in Florence.
The location of the church right across from Florence's main train station means that visitors sometimes miss out on seeing everything Santa Maria Novella has to offer, but this would be a mistake!
Read on for the fascinating story of Santa Maria Novella, and find out why a visit here can only enhance your experience in Florence, including:
There has been a church on the site of Santa Maria Novella for nearly a thousand years, with the original church called Santa Maria delle Vigne.
In the early thirteenth century the building and surrounding land were granted to an order of Dominican friars, who decided to build a convent complex, complete with a new church, cloister and a chapter house.
The name 'Santa Maria Novella' comes from the fact it was a new (novella) church dedicated to Mary.
The original project designs created by the Dominican friars were already stunning, but over time further work was completed on the structure, creating an exquisite example of Gothic architecture.
As the first basilica built in Florence, Santa Maria Novella has been a silent witness to the genius of Italy and Italian artists.
The church was enriched over time with works of art from the Medieval era through to the Renaissance and Baroque, with each piece collected perfectly symbolic of its era.
The order of Dominican friars who built Santa Maria Novella also founded the oldest pharmacy in the world, let alone Italy!
The Officina Profumo Farmaceutica di Santa Maria Novella still sells fragrances and other products based on the monks' medieval recipes.
The white marble facade of Santa Maria Novella is one of the most important architectural works of the Florentine Renaissance.
The Romanesque, lower part of the marble facade is the original design, but the upper part was designed by Leon Battista Alberti and added in the 1400's.
Further architectural interventions took place over the centuries, and was only definitively completed in 1920!
Entering through the main entrance into the atrium, your gaze inevitably goes up to the ceiling.
You'll see a distinctive T-cross shape, divided into three naves with six wide bays that get smaller as they get closer to the altar wall.
This architectural technique makes the building seem longer than it actually is.
Also, the width and height of the central nave are designed to make it look like the arches easily merge into one grand hall.
This is the name of the area reserved for the members of the clergy, with the choir and altar.
The presbytery in Santa Maria Novella was originally separated from the general seating area by large decorated walls meant to divide the clergy from the congregation.
Cosimo I, Grand Duke of Tuscany, later decided that to take the wall down and remodel the interior.
He appointed the popular Renaissance master Giorgio Vasari to carry out the remodel.
Vasari had the wall demolished and added a number of chapels.
He also restyled the choir.
As an accomplished painter, architect and writer, Vasari left his mark all over Florence.
He designed the Vasari Corridor that connects the Uffizi Gallery to the Pitti Palace, as well as renovating the Basilica of Santa Croce and creating numerous pieces of art, such as the walls and ceiling in the Sala di Cosimo I in Palazzo Vecchio.
As you walk through the church, you'll see remains of tombstones on the floor dating back hundreds of years.
There was once a lot more but during a major restoration in the middle of the 19th century, some of the tombstones were relocated to between the side pillars.
During these restorations the main altar (an excellent neo-Gothic piece) was also rebuilt, along with the windows, along with stained glass window, giving the church its current look.
The inside of the Basilica di Santa Maria Novella is filled with some true masterpieces!
Here are the must-see things to look for:
The extraordinary crucifix is wood painted with tempera and gold, originally created at the end of the 13th century.
The artist of this masterpiece is the genius Italian painter Giotto Bondone, who also designed the Campanile bell tower next to the Florence Duomo.
It's located all the way at the end of the main nave, supported by a metallic structure to keep it up high, and anchored to a winch which allows it to be lowered to the ground when needed.
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Located in the middle of the left aisle you will find the fresco of the Trinity by Tommaso Guidi, also known as Masaccio .
Beyond the refined technique and its perfect Renaissance prospective, this piece of art tells a long story!
When Santa Maria Novella was originally built, it was decorated throughout with frescoes.
As part of Vasari's renovations, it was ordered that these frescoes were to be largely removed or covered up.
Vasari, who understood this fresco's immense historical and artistic value, decided to relocate it behind a new altar instead, leaving a small gap between the wall and the painting, meaning Masaccio's work would not suffer further damage.
It was not until 1860 that the fresco was rediscovered, when it was restored and transferred onto a canvas before being displayed on the counter-façade of the church.
The most curious incident took place during a restoration in 1952, when the Cultural Heritage Department of the time decided to relocate the fresco to its original location.
To do so, the altar that Vasari had built was removed, bringing to light a painting of a sarcophagus and a skeleton of which, until that point, there was no record at all!
If you walk towards the left nave you’ll see another marvellous example of Florentine painting from the 16th century, the Resurrection of Lazarus by Santi di Tito.
This oil on canvas is one of many paintings commissioned by Vasari during his renovations, in line with the use of sacred images during the counter-Reformation period.
Truly extraordinary!
Possibly the most famous chapel in Santa Maria Novella, the Cappella Strozzi is in between the Bardi Chapel and the Tornabuoni Chapel.
Its fame is due to the incredible frescoes by Filippino Lippi throughout the chapel, which was the last painted series he created.
The first chapel you will see on your left as soon as you enter the church is known as the Gondi Chapel, named for the family who designed it.
However the reason this chapel became so famous is the wooden crucifix by Brunelleschi.
Filippo Brunelleschi was a Florentine sculptor and architect, most famous for completing the dome of Florence's cathedral, but also completed a number of sculptures.
This crucifix is the only wooden work he ever created, so it is incredibly special to see his depiction of Christ on the cross up close.
Also known as the Major Chapel, this chapel is the home of the famous fresco cycle by Domenico Ghirlandaio.
The Ghirlandaio frescoes portray the lives of the Virgin Mary and St John the Baptist (Florence's patron saint) in a series of scenes.
They also have images of the Dominican saints St Dominic and St Peter Martyr, along with the evangelist saints.
Given the complexity of this epic work, Ghirlandaio assembled a team of young, but already famous collaborators including two of his brothers, and even for a short time, Michelangelo Buonarroti himself!
The Cappellone degli Spagnoli used to be the convent chapter house, but was nicknamed the Spanish Chapel ever since Cosimo I gave it to his Spanish wife and her entourage to use.
The chapel was decorated in the 14th century with frescoes by Andrea di Bonaiuto depicting the life of Christ and also St Peter, along with an incredible piece known as the Triumph of St Thomas Aquinas.
The Spanish Chapel is now part of the museum of Santa Maria Novella.
Also part of the museum, the Green Cloister or Chiostro Verde is the first of the cloisters in the Santa Maria Novella complex.
The name comes from the Old Testament frescoes painted in this cloister by Paolo Uccello in the 15th century with a green clay that was popular at the time.
From the Green Cloister you can access the Strozzi Chapel, the Spanish Chapel and the refectory, where important items from the church's history are on display.
There are two parts to the complex of Santa Maria Novella, the basilica itself and the museum.
The church is always open for personal prayer and for religious functions, but if you enter for these reasons you will not be able to explore the entire complex.
Similarly, access for visitors is restricted on religious holidays and when masses are taking place.
The pharmacy and the church can both be visited, but have completely separate entrance tickets so you will need to book separately, or join a tour that covers both sites.
Take a look at these pages to find out how to make the most of your time in Florence:
Access to the full Santa Maria Novella complex varies slightly according to the day of the week and time of year so make sure you have the right information for when you are visiting.
Monday-Thursday: 9:00am-5:30pm
Friday: 11:00am-5:30pm
Saturday and days before religious holidays: 9:00am-5:30pm
Sunday and religious holidays: 1:00pm-5:30pm (12:00pm-5:30pm July-September)
Last admission is one hour before closing time.
Note that the complex is completely closed to visitors on Good Friday and Holy Saturday.
October to March:
April to June:
July to September:
You can purchase tickets online or at the ticket office on site, but I would recommend booking in advance to avoid disappointment.
You can also choose to book a private tour of Santa Maria Novella Florence to explore its sights in detail, or see the outside on a group walking tour!
Santa Maria Novella is the only church opposite the central train and bus station with the same name so is very easy to reach.
You can walk to the Piazza Santa Maria Novella from most places in the historic city center within 20 minutes, or you can take one of the buses that stop across the street.
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